The Challenges of Digitizing Paper Films
In the 1930s, as an alternative to celluloid, some Japanese companies printed films on paper (kami firumu), often in color and with synchronized 78 rpm record soundtracks. Unfortunately, between the small number produced, varying paper quality, and the destruction of World War II, few of these still survive. To keep more of these from being lost forever, a team at Bucknell University has been working on a digitization project , overcoming several technical challenges in the process. The biggest challenge was the varying physical layout of the film. These films were printed in short strips, then glued together by hand, creating minor irregularities every few feet; the width of the film varied enough to throw off most film scanners; even the indexing holes were in inconsistent places, sometimes at the top or bottom of the fame, and above or below the frame border. The team’s solution was the Kyōrinrin scanner, named for a Japanese guardian spirit of lost papers. It uses two spools to ...